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VENUS
AND ADONIS |
Venus,
playing one day with her boy Cupid, wounded her bosom with one of his
arrows. She pushed him away, but the wound was deeper than she
thought. Before it healed she beheld Adonis, and was captivated with
him. She no longer took any interest in her favourite resorts- Paphos,
and Cnidos, and Amathos, rich in metals. She absented herself even
from heaven, for Adonis was dearer to her than heaven. Him she
followed and bore him company. She who used to love to recline in the
shade, with no care but to cultivate her charms, now rambles through
the woods and over the hills, dressed like the huntress Diana; and
calls her dogs, and chases hares and stags, or other game that it is
safe to hunt, but keeps clear of the wolves and bears, reeking with
the slaughter of the herd. She charged Adonis, too, to beware of such
dangerous animals. "Be brave towards the timid," said she;
"courage against the courageous is not safe. Beware how you
expose yourself to danger and put my happiness to risk. Attack not the
beasts that Nature has armed with weapons. I do not value your glory
so high as to consent to purchase it by such exposure. Your youth, and
the beauty that charms Venus, will not touch the hearts of lions and
bristly boars. Think of their terrible claws and prodigious strength!
I hate the whole race of them. Do you ask me why?" Then she told
him the story of Atalanta and Hippomenes, who were changed into lions
for their ingratitude to her.
Having given him this warning, she mounted her chariot drawn by swans,
and drove away through the air. But Adonis was too noble to heed such
counsels. The dogs had roused a wild boar from his lair, and the youth
threw his spear and wounded the animal with sidelong stroke. The beast
drew out the weapon with his jaws, and rushed after Adonis, who turned
and ran; but the boar overtook him, and buried his tusks in his side,
and stretched him dying upon the plain.
Venus, in her swan-drawn chariot, had not yet reached Cyprus, when she
heard coming up through mid-air the groans of her beloved, and turned
her white-winged coursers back to earth. As she drew near and saw from
on high his lifeless body bathed in blood, she alighted and, bending
over it, beat her breast and tore her hair. Reproaching the Fates, she
said, "Yet theirs shall be but a partial triumph; memorials of my
grief shall endure, and the spectacle of your death, my Adonis, and of
my lamentation shall be annually renewed. Your blood shall be changed
into a flower; that consolation none can envy me." Thus speaking,
she sprinkled nectar on the blood; and as they mingled, bubbles rose
as in a pool on which raindrops fall, and in an hour's time there
sprang up a flower of bloody hue like that of the pomegranate. But it
is short-lived. It is said the wind blows the blossoms open, and
afterwards blows the petals away; so it is called Anemone, or Wind
Flower, from the cause which assists equally in its production and its
decay.
Milton alludes to the story of Venus and Adonis in his "Comus":
"Beds of hyacinth and roses
Where young Adonis oft reposes,
Waxing well of his deep wound
In slumber soft, and on the ground
Sadly sits th' Assyrian queen;" etc.
APOLLO
AND HYACINTHUS
Apollo
was passionately fond of a youth named Hyacinthus. He. accompanied him
in his sports, carried the nets when he went fishing, led the dogs
when he went to hunt, followed him in his excursions in the mountains,
and neglected for him his lyre and his arrows. One day they played a
game of quoits together, and Apollo, heaving aloft the discus, with
strength mingled with skill, sent it high and far. Hyacinthus watched
it as it flew, and excited with the sport ran forward to seize it,
eager to make his throw, when the quoit bounded from the earth and
struck him in the forehead. He fainted and fell. The god, as pale as
himself, raised him and tried all his art to stanch the wound and
retain the flitting life, but all in vain; the hurt was past the power
of medicine. As when one has broken the stem of a lily in the garden
it hangs its head and turns its flowers to the earth, so the head of
the dying boy, as if too heavy for his neck, fell over on his
shoulder. "Thou diest, Hyacinth," so spoke Phoebus,
"robbed of thy youth by me. Thine is the suffering, mine the
crime. Would that I could die for thee! But since that may not be,
thou shalt live with me in memory and in song. My lyre shall celebrate
thee, my song shall tell thy fate, and thou shalt become a flower
inscribed with my regrets." While Apollo spoke, behold the blood
which had flowed on the ground and stained the herbage ceased to be
blood; but a flower of hue more beautiful than the Tyrian sprang up,
resembling the lily, if it were not that this is purple and that
silvery white.* And this was not enough for Phoebus; but to confer
still greater honour, he marked the petals with his sorrow, and
inscribed "Ah! ah!" upon them, as we see to this day. The
flower bears the name of Hyacinthus, and with every returning spring
revives the memory of his fate.
* It is evidently not our modern hyacinth that is here described. It
is perhaps some species of iris, or perhaps of larkspur or pansy.
It was said that Zephyrus (the West wind), who was also fond of
Hyacinthus and jealous of his preference of Apollo, blew the quoit out
of its course to make it strike Hyacinthus. Keats alludes to this in
his "Endymion," where he describes the lookers-on at the
game of quoits:
"Or they might watch the quoit-pitchers, intent
On either side, pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him; Zephyr penitent,
Who now ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain."
An allusion to Hyacinthus will also be recognized in Milton's "Lycidas":
"Like to that sanguine flower inscribed with woe."
CEYX
AND HALCYONE
or
THE HALCYON BIRDS
CEYX
was king of Thessaly, where he reigned in peace, without violence or
wrong. He was son of Hesperus, the Day-star, and the glow of his
beauty reminded one of his father. Halcyone, the daughter of AEolus,
was his wife, and devotedly attached to him. Now Ceyx was in deep
affliction for the loss of his brother, and direful prodigies
following his brother's death made him feel as if the gods were
hostile to him. He thought best, therefore, to make a voyage to Carlos
in Ionia, to consult the oracle of Apollo. But as soon as he disclosed
his intention to his wife Halcyone, a shudder ran through her frame,
and her face grew deadly pale. "What fault of mine, dearest
husband, has turned your affection from me? Where is that love of me
that used to be uppermost in your thoughts? Have you learned to feel
easy in the absence of Halcyone? Would you rather have me away;"
She also endeavoured to discourage him, by describing the violence of
the winds, which she had known familiarly when she lived at home in
her father's house,- AEolus being the god of the winds, and having as
much as he could do to restrain them. "They rush together,"
said she, "with such fury that fire flashes from the conflict.
But if you must go," she added, "dear husband, let me go
with you, otherwise I shall suffer not only the real evils which you
must encounter, but those also which my fears suggest."
These words weighed heavily on the mind of King Ceyx, and it was no
less his own wish than hers to take her with him, but he could not
bear to expose her to the dangers of the sea. He answered. therefore,
consoling her as well as he could, and finished with these words:
"I promise, by the rays of my father the Day-star, that if fate
permits I will return before the moon shall have twice rounded her
orb." When he had thus spoken, he ordered the vessel to be drawn
out of the shiphouse, and the oars and sails to be put aboard When
Halcyone saw these preparations she shuddered, as if with a
presentiment of evil. With tears and sobs she said farewell, and then
fell senseless to the ground.
Ceyx would still have lingered, but now the young men grasped their
oars and pulled vigorously through the waves, with long and measured
strokes. Halcyone raised her streaming eyes, and saw her husband
standing on the deck, waving his hand to her. She answered his signal
till the vessel had receded so far that she could no longer
distinguish his form from the rest. When the vessel itself could no
more be seen, she strained her eyes to catch the last glimmer of the
sail, till that too disappeared. Then, retiring to her chamber, she
threw herself on her solitary couch.
Meanwhile they glide out of the harbour, and the breeze plays among
the ropes. The seamen draw in their oars, and hoist their sails. When
half or less of their course was passed, as night drew on, the sea
began to whiten with swelling waves, and the east wind to blow a gale.
The master gave the word to take in sail, but the storm forbade
obedience, for such is the roar of the winds and waves his orders are
unheard. The men, of their own accord, busy themselves to secure the
oars, to strengthen the ship, to reef the sail. While they thus do
what to each one seems best, the storm increases. The shouting of the
men, the rattling of the shrouds, and the dashing of the waves, mingle
with the roar of the thunder. The swelling sea seems lifted up to the
heavens, to scatter its foam among the clouds; then sinking away to
the bottom assumes the colour of the shoal-a Stygian blackness.
The vessel shares all these changes. It seems like a wild beast that
rushes on the spears of the hunters. Rain falls in torrents, as if the
skies were coming down to unite with the sea. When the lightning
ceases for a moment, the night seems to add its own darkness to that
of the storm; then comes the flash, rending the darkness asunder, and
lighting up all with a glare. Skill fails, courage sinks, and death
seems to come on every wave. The men are stupefied with terror. The
thought of parents, and kindred, and pledges left at home, comes over
their minds. Ceyx thinks of Halcyone. No name but hers is on his lips,
and while he yearns for her, he yet rejoices in her absence. Presently
the mast is shattered by a stroke of lightning, the rudder broken, and
the triumphant surge curling over looks down upon the wreck, then
falls, and crushes it to fragments. Some of the seamen, stunned by the
stroke, sink, and rise no more; others cling to fragments of the
wreck. Ceyx, with the hand that used to grasp the sceptre, holds fast
to a plank, calling for help,- alas, in vain,-upon his father and his
father-in-law. But oftenest on his lips was the name of Halcyone. To
her his thoughts cling. He prays that the waves may bear his body to
her sight, and that it may receive burial at her hands. At length the
waters overwhelm him, and he sinks. The Day-star looked dim that
night. Since it could not leave the heavens, it shrouded its face with
clouds.
In the meanwhile Halcyone, ignorant of all these horrors, counted the
days till her husband's promised return. Now she gets ready the
garments which he shall put on, and now what she shall wear when he
arrives. To all the gods she offers frequent incense, but more than
all to Juno. For her husband, who was no more, she prayed incessantly:
that be might be safe; that he might come home; that he might not, in
his absence, see any one that he would love better than her. But of
all these prayers, the last was the only one destined to be granted.
The goddess, at length, could not bear any longer to be pleaded with
for one already dead, and to have hands raised to her altars that
ought rather to be offering funeral rites. So, calling Iris, she said,
"Iris, my faithful messenger, go to the drowsy dwelling of Somnus,
and tell him to send a vision to Halcyone in the form of Ceyx, to make
known to her the event."
Iris puts on her robe of many colours, and tinging the sky with her
bow, seeks the palace of the King of Sleep. Near the Cimmerian
country, a mountain cave is the abode of the dull god Somnus. Here
Phoebus dares not come, either rising, at midday, or setting. Clouds
and shadows are exhaled from the ground, and the light glimmers
faintly. The bird of dawning, with crested head, never there calls
aloud to Aurora, nor watchful dog, nor more sagacious goose disturbs
the silence. No wild beast, nor cattle, nor branch moved with the
wind, nor sound of human conversation, breaks the stillness. Silence
reigns there; but from the bottom of the rock the River Lethe flows,
and by its murmur invites to sleep. Poppies grow abundantly before the
door of the cave, and other herbs, from whose juices Night collects
slumbers, which she scatters over the darkened earth. There is no gate
to the mansion, to creak on its hinges, nor any watchman; but in the
midst a couch of black ebony, adorned with black plumes and black
curtains. There the god reclines, his limbs relaxed with sleep. Around
him lie dreams, resembling all various forms, as many as the harvest
bears stalks, or the forest leaves, or the seashore sand grains.
As soon as the goddess entered and brushed away the dreams that
hovered around her, her brightness lit up all the cave. The god,
scarce opening his eyes, and ever and anon dropping his beard upon his
breast, at last shook himself free from himself, leaning on his arm,
inquired her errand,- for he knew who she was. She answered, "Somnus,
gentlest of the gods, tranquillizer of minds and soother of care-worn
hearts, Juno sends you her commands that you despatch a dream to
Halcyone, in the city of Trachine, representing her lost husband and
all the events of the wreck."
Having delivered her message, Iris hasted away, for she could not
longer endure the stagnant air, and as she felt drowsiness creep. ing
over her, she made her escape, and returned by her bow the way she
came. Then Somnus called one of his numerous sons,- Morpheus,- the
most expert in counterfeiting forms, and in imitating the walk, the
countenance, and mode of speaking, even the clothes and attitudes most
characteristic of each. But he only imitates men, leaving it to
another to personate birds, beasts, and serpents. Him they call Icelos;
and Phantasos is a third, who turns himself into rocks, waters, woods,
and other things without life. These wait upon kings and great
personages in their sleeping hours, while others move among the common
people. Somnus chose, from all the brothers, Morpheus, to perform the
command of Iris; then laid his head on his pillow and yielded himself
to grateful repose.
Morpheus flew, making no noise with his wings, and soon came to the
Haemonian city, where, laying aside his wings, he assumed the form of
Ceyx. Under that form, but pale like a dead man, naked, he stood
before the couch of the wretched wife. His beard seemed soaked with
water, and water trickled from his drowned locks. Leaning over the
bed, tears streaming from his eyes, he said, "Do you recognize
your Ceyx, unhappy wife, or has death too much changed my visage?
Behold me, know me, your husband's shade, instead of himself. Your
prayers, Halcyone, availed me nothing. I am dead. No more deceive
yourself with vain hopes of my return. The stormy winds sunk my ship
in the AEgean Sea, waves filled my mouth while it called aloud on you.
No uncertain messenger tells you this, no vague rumour brings it to
your ears. I come in person, a shipwrecked man, to tell you my fate.
Arise! give me tears, give me lamentations, let me not go down to
Tartarus unwept." To these words Morpheus added the voice, which
seemed to be that of her husband; he seemed to pour forth genuine
tears; his hands had the gestures of Ceyx.
Halcyone, weeping, groaned, and stretched out her arms in her sleep,
striving to embrace his body, but grasping only the air.
"Stay!" she cried; "whither do you fly? let us go
together." Her own voice awakened her. Starting up, she gazed
eagerly around, to see if he was still present, for the servants,
alarmed by her cries, had brought a light. When she found him not, she
smote her breast and rent her garments. She cares not to unbind her
hair, but tears it wildly. Her nurse asks what is the cause of her
grief. "Halcyone is no more," she answers, "she
perished with her Ceyx. Utter not words of comfort, he is shipwrecked
and dead. I have seen him, I have recognized him. I stretched out my
hands to seize him and detain him. His shade vanished, but it was the
true shade of my husband. Not with the accustomed features, not with
the beauty that was his, but pale, naked, and with his hair wet with
sea water, he appeared to wretched me. Here, in this very spot, the
sad vision stood,"- and she looked to find the mark of his
footsteps. "This it was, this that my presaging mind foreboded,
when I implored him not to leave me, to trust himself to the waves.
Oh, how I wish, since thou wouldst go, thou hadst taken me with thee!
It would have been far better. Then I should have had no remnant of
life to spend without thee, nor a separate death to die. If I could
bear to live and struggle to endure, I should be more cruel to myself
than the sea has been to me. But I will not struggle, I will not be
separated from thee, unhappy husband. This time, at least, I will keep
thee company. In death, if one tomb may not include us, one epitaph
shall; if I may not lay my ashes with thine, my name, at least, shall
not be separated." Her grief forbade more words, and these were
broken with tears and sobs.
It was now morning. She went to the seashore, and sought the spot
where she last saw him, on his departure. "While he lingered
here, and cast off his tacklings, he gave me his last kiss."
While she reviews every object, and strives to recall every incident,
looking out over the sea, she descries an indistinct object floating
in the water. At first she was in doubt what it was, but by degrees
the waves bore it nearer, and it was plainly the body of a man. Though
unknowing of whom, yet, as it was of some shipwrecked one, she was
deeply moved, and gave it her tears, saying, "Alas! unhappy one,
and unhappy, if such there be, thy wife!" Borne by the waves, it
came nearer. As she more and more nearly views it, she trembles more
and more. Now, now it approaches the shore. Now marks that she
recognizes appear. it is her husband! Stretching out her trembling
hands towards it, she exclaims, "O dearest husband, is it thus
you return to me?"
There was built out from the shore a mole, constructed to break the
assaults of the sea, and stem its violent ingress. She leaped upon
this barrier and (it was wonderful she could do so) she flew, and
striking the air with wings produced on the instant, skimmed along the
surface of the water, an unhappy bird. As she flew, her throat poured
forth sounds full of grief, and like the voice of one lamenting. When
she touched the mute and bloodless body, she enfolded its beloved
limbs with her new-formed wings, and tried to give kisses with her
horny beak. Whether Ceyx felt it, or whether it was only the action of
the waves, those who looked on doubted, but the body seemed to raise
its head. But indeed he did feel it, and by the pitying gods both of
them were changed into birds. They mate and have their young ones. For
seven placid days, in winter time, Halcyone broods over her nest,
which floats upon the sea. Then the way is safe to seamen. AEolus
guards the winds and keeps them from disturbing the deep. The sea is
given up, for the time, to his grandchildren.
The following lines from Byron's "Bride of Abydos" might
seem borrowed from the concluding part of this description, if it were
not stated that the author derived the suggestion from observing the
motion of a floating corpse:
"As shaken on his restless pillow,
His head heaves with the heaving billow;
That hand, whose motion is not life,
Yet feebly seems to menace strife,
Flung by the tossing tide on high,
Then levelled with the wave..."
Milton, in his "Hymn on the Nativity," thus alludes to the
fable of the Halcyon:
"But peaceful was the night
Wherein the Prince of light
His reign of peace upon the earth began;
The winds with wonder whist
Smoothly the waters kist
Whispering new joys to the mild ocean,
Who now hath quite forgot to rave
While birds of calm sit brooding on the charmed wave."
Keats also, in "Endymion," says:
"O magic sleep! O comfortable bird
That broodest o'er the troubled sea of the mind
Till it is hushed and smooth."
VERTUMNUS
AND POMONA
THE
Hamadryads were Wood-nymphs. Pomona was of this class. and no one
excelled her in love of the garden and the culture of fruit. She cared
not for forests and rivers, but loved the cultivated country, and
trees that bear delicious apples. Her right hand bore for its weapon
not a javelin, but a pruning-knife. Armed with this, she busied
herself at one time to repress the too luxuriant growths: and curtail
the branches that straggled out of place; at another, to split the
twig and insert therein a graft, making the branch adopt a nursling
not its own. She took care, too, that her favourites should not suffer
from drought, and led streams of water by them, that the thirsty roots
might drink. This occupation was her pursuit, her passion; and she was
free from that which Venus inspires. She was not without fear of the
country people, and kept her orchard locked, and allowed not men to
enter. The Fauns and Satyrs would have given all they possessed to win
her, and so would old Sylvanus, who looks young for his years, and
Pan, who wears a garland of pine leaves around his head. But Vertumnus
loved her best of all; yet he sped no better than the rest. O how
often, in the disguise of a reaper, did he bring her corn in a basket,
and looked the very image of a reaper! With a hay band tied round him,
one would think he had just come from turning over the grass.
Sometimes he would have an ox-goad in his hand, and you would have
said he had just unyoked his weary oxen. Now he bore a pruning-hook,
and personated a vine-dresser; and again, with a ladder on his
shoulder, he seemed as if he was going to gather apples. Sometimes he
trudged along as a discharged soldier, and again he bore a
fishing-rod, as if going to fish. In this way he gained admission to
her again and again, and fed his passion with the sight of her.
One day he came in the guise of an old woman, her grey hair surmounted
with a cap, and a staff in her hand. She entered the garden and
admired the fruit. "It does you credit, my dear," she said,
and kissed her not exactly with an old woman's kiss. She sat down on a
bank, and looked up at the branches laden with fruit which hung over
her. Opposite was an elm entwined with a vine loaded with swelling
grapes. She praised the tree and its associated vine, equally.
"But," said she, "if the tree stood alone, and had no
vine clinging to it, it would have nothing to attract or offer us but
its useless leaves. And equally the vine, if it were not twined round
the elm, would lie prostrate on the ground. Why will you not take a
lesson from the tree and the vine, and consent to unite yourself with
some one? I wish you would. Helen herself had not more numerous
suitors, nor Penelope, the wife of shrewd Ulysses. Even while you
spurn them, they court you,- rural deities and others of every kind
that frequent these mountains. But if you are prudent and want to make
a good alliance, and will let an old woman advise you,- who loves you
better than you have any idea of,- dismiss all the rest and accept
Vertumnus, on my recommendation. I know him as well as he knows
himself. He is not a wandering deity, but belongs to these mountains.
Nor is he like too many of the lovers nowadays, who love any one they
happen to see; he loves you, and you only. Add to this, he is young
and handsome, and has the art of assuming any shape he pleases, and
can make himself just what you command him. Moreover, he loves the
same things that you do, delights in gardening, and handles your
apples with admiration. But now he cares nothing for fruits nor
flowers, nor anything else, but only yourself. Take pity on him, and
fancy him speaking now with my mouth. Remember that the gods punish
cruelty, and that Venus hates a hard heart, and will visit such
offences sooner or later. To prove this, let me tell you a story,
which is well known in Cyprus to be a fact; and I hope it will have
the effect to make you more merciful.
"Iphis was a young man of humble parentage, who saw and loved
Anaxarete, a noble lady of the ancient family of Teucer. He struggled
long with his passion, but when he found he could not subdue it, he
came a suppliant to her mansion. First he told his passion to her
nurse, and begged her as she loved her foster-child to favour his
suit. And then he tried to win her domestics to his side. Sometimes he
committed his vows to written tablets, and often hung at her door
garlands which he had moistened with his tears. He stretched himself
on her threshold, and uttered his complaints to the cruel bolts and
bars. She was deafer than the surges which rise in the November gale;
harder than steel from the German forges, or a rock that still clings
to its native cliff. She mocked and laughed at him, adding cruel words
to her ungentle treatment, and gave not the slightest gleam of hope.
"Iphis could not any longer endure the torments of hopeless love,
and, standing before her doors, he spake these last words: 'Anaxarete,
you have conquered, and shall no longer have to bear my importunities.
Enjoy your triumph! Sing songs of joy, and bind your forehead with
laurel,- you have conquered! I die; stony heart, rejoice! This at
least I can do to gratify you, and force you to praise me; and thus
shall I prove that the love of you left me but with life. Nor will I
leave it to rumour to tell you of my death. I will come myself, and
you shall see me die, and feast your eyes on the spectacle. Yet, O ye
Gods, who look down on mortal woes, observe my fate! I ask but this:
let me be remembered in coming ages, and add those years to my fame
which you have reft from my life.' Thus he said, and, turning his pale
face and weeping eyes towards her mansion, he fastened a rope to the
gate-post, on which he had often hung garlands, and putting his head
into the noose, he murmured, 'This garland at least will please you,
cruel girl!' and falling hung suspended with his neck broken. As he
fell he struck against the gate, and the sound was as the sound of a
groan. The servants opened the door and found him dead, and with
exclamations of pity raised him and carried him home to his mother,
for his father was not living. She received the dead body of her son,
and folded the cold form to her bosom, while she poured forth the sad
words which bereaved mothers utter. The mournful funeral passed
through the town, and the pale corpse was borne on a bier to the place
of the funeral pile. By chance the home of Anaxarete was on the street
where the procession passed, and the lamentations of the mourners met
the ears of her whom the avenging deity had already marked for
punishment.
"'Let us see this sad procession,' said she, and mounted to a
turret, whence through an open window she looked upon the funeral.
Scarce had her eyes rested upon the form of Iphis stretched on the
bier, when they began to stiffen, and the warm blood in her body to
become cold. Endeavouring to step back, she found she could not move
her feet; trying to turn away her face, she tried in vain; and by
degrees all her limbs became stony like her heart. That you may not
doubt the fact, the statue still remains, and stands in the temple of
Venus at Salamis, in the exact form of the lady. Now think of these
things, my dear, and lay aside your scorn and your delays, and accept
a lover. So may neither the vernal frosts blight your young fruits,
nor furious winds scatter your blossoms!"
When Vertumnus had spoken thus, be dropped the disguise of an old
woman, and stood before her in his proper person, as a comely youth.
It appeared to her like the sun bursting through a cloud. He would
have renewed his entreaties, but there was no need; his arguments and
the sight of his true form prevailed, and the Nymph no longer
resisted, but owned a mutual flame.
Pomona was the especial patroness of the Apple-orchard, and as such
she was invoked by Phillips, the author of a poem on Cider, in blank
verse. Thomson in the "Seasons" alludes to him:
"Phillips, Pomona's bard, the second thou
Who nobly durst, in rhyme-unfettered verse,
With British freedom, sing the British song."
But Pomona was also regarded as presiding over other fruits, and as
such is invoked by Thomson:
"Bear me, Pomona, to thy citron groves,
To where the lemon and the piercing lime,
With the deep orange, glowing through the green,
Their lighter glories blend. Lay me reclined
Beneath the spreading tamarind, that shakes,
Fanned by the breeze, its fever-cooling fruit."

The Planet of Venus
The Greek god of Venus
Greek gods
12/23/10
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